Fablelistik Editions

Lettered Edition of The Legend of Sleepy Hollow

Washington Irving

$3,950.00
  • Estimated Ship: Spring 2025
  • Print run of 26 copies, lettered A-Z
  • Limit 1 copy per household
  • Other Editions: Numbered, Collector’s

The Lettered Edition of The Legend of Sleepy Hollow has 26 copies in print, lettered A through Z. This 10” x 14” edition features approximately 144 pages, along with 12 giclee-printed artworks by Greg Manchess and an additional signed piece. Hot-metal letterpress printed by Pat Randle (Nomad Letterpress) on handmade Losin paper, our Lettered Edition is designed and handbound by Gavin Dovey (Paper Dragon Books) with deckled edges and a custom-dyed Moroccan goatskin spine. The handsewn binding includes leather head and tail bands, and the stone leaf veneer boards are laser-etched by Sarah Pike (Freefall Laser). It’s housed in a clamshell box, wrapped in Japanese mohair cloth, and lined with burgundy pig suede. Signed by all collaborators, this edition is a true work of art.

Production Specs

  • Book dimensions: 10 x 14
  • Approximately 144 interior pages
  • Includes 12 original artworks by Greg Manchess tipped in, giclee printed
  • A signed original piece of artwork by Greg Manchess, giclee printed
  • Hot metal letterpress printed by Pat Randle at Nomad Letterpress on handmade Losin paper
  • Designed and handbound by Gavin Dovey, Paper Dragon Books with deckled edges
  • Custom colored, hand dyed spine on Moroccan goatskin letter, with craquele 
  • Hand sewn with leather head and tail bands
  • Hand dyed endpapers  
  • Front & Back case boards are stone leaf veneer with laser etching by Sarah Pike at Freefall Laser
  • Housed in a clamshell box, wrapped in japanese mohair cloth and lined in genuine burgundy pig suede, with a craquele leather inset spine element
  • Signed by all collaborators and contributors: Andrew Burstein, Catalina Hannan, Gavin Dovey, Greg Manchess, Pat Randle, and Roger Grech

Book Summary

The Legend of Sleepy Hollow by Washington Irving is an American short story published in 1819 in The Sketch Book of Geoffrey Crayonalong with a companion short story, Rip Van Winkle. The popular Gothic tale is a mainstay in the literary canon as it holds the title of being America's first short story. Its elements of Romanticism shine through in Irving's reference to the town of Sleepy Hollow. Following the tenets of Romanticism, the town is described with a spirituality of nature. Based on folklore, the story revolves around schoolteacher Ichabod Crane who competes against Brom Bones, a local prankster farmer, for the hand of Katrina Van Tassel. One night, after a party, Crane heads home only to be followed by what he thinks is the legend of Sleepy Hollow, the Headless Horseman. The horseman throws an object at Crane, which knocks him off his horse. The next day, the townspeople look for Crane but cannot find him; all they find is a smashed pumpkin where Crane's hat lies.

The short story has had numerous film adaptations and become well known in pop culture. From a 1912 silent film to two productions by Disney in 1949, the story's popularity gained momentum. Tim Burton made a film adaptation of The Legend of Sleepy Hollow in 1999, which was very popular due to its much darker tones. The Hallmark Channel also released a version in 1999, and FOX took the story into a weekly series in 2013.

Author & Collaborators

Washington Irving
Author

Washington Irving

The man who is often named as America’s first author to earn his living from writing was born at the end of the American Revolution and would die a few years before the Civil War (1783-1859). In pursuit of a profession, Irving turned to writing, publishing The Sketch Book of Geoffrey Crayon, Gent.in seven parts (1819-1820.) Well received in his home country, and, later in England, from his English publisher, the famous John Murray, this collection of literary sketches included what were to become his most famous works, Rip Van Winkle and The Legend of Sleepy Hollow.

Gregory Manchess
Artist

Gregory Manchess

The award-winning painter, Gregory Manchess has worked as a freelance illustrator for forty-seven years on advertising campaigns, magazines, and book covers.

His work has appeared on covers and for feature stories of numerous magazines, such as National Geographic, Time, Atlantic Monthly, and The Smithsonian. Gregory’s excellent figure work has led to commissions for stamps by the US Postal Service, including the Mark Twain Stamp, the 1963 March On Washington Stamp, and the 2023 Christmas stamp series, Snow Globes.

On September 26, 2024, Manchess was inducted in the NY Society of Illustrators Hall of Fame.

Gavin Dovey, Paper Dragon Books
Book Binder

Gavin Dovey, Paper Dragon Books

A graduate of LCP and alumni of the University of the Arts London, Gavin started bookbinding in the late 1990's acquiring a good deal of experience working in various trade binderies in Europe, as well as alongside several master binders. In many areas, though, Gavin is largely self-taught through years of work on various projects for a wide variety of clients, from collectors and dealers, to designers, architects, artists, museums and galleries, and was featured on the PBS show “New York Originals”. Although grounded in tradition, Gavin's work has a distinctly modern design sensibility, using printing, photo-transfer and varied dyeing and airbrush techniques to achieve fresh perspective on an old craft. Gavin has taught as faculty at various art institutions in the USA, tutored several apprentices, and today takes private students at his workshop in Pound Ridge, NY.

Pat Randle, Nomad Letterpress
Letterpress

Pat Randle, Nomad Letterpress

Nomad Letterpress is run by Pat Randle from the Whittington Press, Cheltenham, from where Pat co-publishes Double Dagger and prints Matrix (‘the finest periodical of the book arts of the 20th Century’). Nomad Letterpress runs letterpress workshops throughout the year, and specializes in high quality book work for both clients and under their own imprint.

Nomad believes that printing and designing using the third dimension — be it with wood, metal, lino or hardened plastics — cannot be surpassed for quality and character.

Artwork by Gregory Manchess

Artwork by Gregory Manchess
Artwork by Gregory Manchess
Artwork by Gregory Manchess
Artwork by Gregory Manchess